My work explores how physical space is transformed into atmosphere, memory and emotional experience.
I am interested not in buildings as physical structures, but in the way places continue to exist through memory. Walls, stairways, windows and streets gradually lose their material certainty and become light, air, reflection and silence. Watercolour is not simply my medium; it is an essential part of this process. Its fluidity allows form to emerge, dissolve and remain unfinished, leaving space for memory and perception.
Rather than depicting specific locations, I create spaces that exist between observation and recollection. They are rooted in real architecture and landscapes, yet freed from geographical identity. The absence of people shifts attention to the space itself and to the traces of time it holds.
In recent works, architecture increasingly gives way to water, horizon and open air. I see these not as separate subjects, but as different expressions of the same idea: the gradual transformation of physical space into atmosphere and memory.
My paintings are not about disappearance. They are about what continues to exist after certainty has gone. By reducing detail, I seek to reveal what cannot be represented directly: the quiet persistence of place.